DOR, low is better, Monasteries in Ladakh (camera/prod) 1988 (NOS)
Togther with antropologist Robert Boozajer I visted the Phiang Monastry in ladakh in 1987. We brought along an Alp horn to compare it with the Dung Cheng, the sacred horn in the monastry.
Dec 18, 1987
Sep 10, 1987
Jun 15, 1986
Sep 10, 1985
POLKA
POLKA, Mexicans in Texas (camera/prod) 1985/86 (Chan C NY) 52 min
The Polka traced from Austria, trough Mexico into Texas: Texmex music.
Mayibuye i Africa
Mayibuye i Africa (Come back Africa) (director/camera/prod) 1985 (VARA)
During the UN Year of the Youth, 1985, I travelled with Anneke Vreeburg, a 20 year old girl from Amsterdam squatter movement, to Johannesburg. Anneke interviewed the active youth during the state of emergency.
During the UN Year of the Youth, 1985, I travelled with Anneke Vreeburg, a 20 year old girl from Amsterdam squatter movement, to Johannesburg. Anneke interviewed the active youth during the state of emergency.
Jun 10, 1985
Sep 1, 1984
BLEH
BLEH, gypsies in South-Serbia (camera/prod) 1984
In April 1984 my friend Robert Boonzajer told me het met two Sebian gypsies with trumpets on a railway station in South Serbia. We decided to go there, by car, to look for the brass gypsy music: BLEH music. No violins, no harmonicas, just brass. BLEH
In April 1984 my friend Robert Boonzajer told me het met two Sebian gypsies with trumpets on a railway station in South Serbia. We decided to go there, by car, to look for the brass gypsy music: BLEH music. No violins, no harmonicas, just brass. BLEH
Aug 10, 1984
Fles 6
Fles 6
Tessel and Jona being 1 and 4 years old crawling through Schiermonnickoog
In August 1984 I took my daughters to the far east end of the island Schiermonnickoog. Our Wadden islands are "travelling" to the east. So we walked and crawled from east to west. From the new land to the populated end in 10 days time. As a father I wanted to know how we were together, the three of us. My dauters were 1 and 4 years old at the time.
Tessel and Jona being 1 and 4 years old crawling through Schiermonnickoog
In August 1984 I took my daughters to the far east end of the island Schiermonnickoog. Our Wadden islands are "travelling" to the east. So we walked and crawled from east to west. From the new land to the populated end in 10 days time. As a father I wanted to know how we were together, the three of us. My dauters were 1 and 4 years old at the time.
Dec 15, 1983
Witness Apartheid Aggression
Witness Apartheid Aggression (director/camera/prod) 1983/84
In October 1983 I visited, together with Conny Braam and Fons Geerlings, Lesoto, Mocambique and Angola to film evidence for the Western (European) involvement in the war going on in Southern Africa. One of the hottest fronts in the Cold War at the time. This material was presented at the Public Hearing in December 1983 in Amsterdam, The Netherlands. This event resulted in the film Witness Apartheid Aggression.
In October 1983 I visited, together with Conny Braam and Fons Geerlings, Lesoto, Mocambique and Angola to film evidence for the Western (European) involvement in the war going on in Southern Africa. One of the hottest fronts in the Cold War at the time. This material was presented at the Public Hearing in December 1983 in Amsterdam, The Netherlands. This event resulted in the film Witness Apartheid Aggression.
Feb 10, 1983
Doors of culture shall be opened
The doors of culture shall be opened! (director/camera/prod) 1982/83
In December 1982 a conference was held in Amsterdam under the title “The Voice of Resistance”. Towards 100 in exile living artists from South Africa gathered with Dutch artists to debate South African culture in “De Bali” and “De Populier”. The African National Congress and the Anti Apartheid Movement were the organizers. The cultural accord between the South African Government and the Dutch Government had been broken but the alternative accord with the majority of the SA population was not yet established. A vibrant exposure of SA culture is presented in this film.
In December 1982 a conference was held in Amsterdam under the title “The Voice of Resistance”. Towards 100 in exile living artists from South Africa gathered with Dutch artists to debate South African culture in “De Bali” and “De Populier”. The African National Congress and the Anti Apartheid Movement were the organizers. The cultural accord between the South African Government and the Dutch Government had been broken but the alternative accord with the majority of the SA population was not yet established. A vibrant exposure of SA culture is presented in this film.
Dec 10, 1982
Het Nieuwe Bouwen
Het Nieuwe Bouwen (regie/prod) 1982 (Museum Boymans- van Beuningen)
New media installation
New media installation
Nov 10, 1981
Ik ben er geweest
Ik ben er geweest (director/camera/prod)
Family portrait in Pretoria 1981
Family portrait in Pretoria 1981
Visit to our family in Pretoria, South Africa. I went there with my 1 year old doughter to do a journalistic experiment in 1981. My idea was to portray an uncommon political situation and not to comment on it in the film. What would happen when I showed the result in the Netherlands? ..The world would never be the same...
Jun 10, 1981
Bolivia, een verslag
Bolivia onder Garcia Mesa (camera/prod) 1981 (IKON)
Frank Vellenga, Eva Reisel en Maarten Rens
Nov 24, 1979
May 17, 1977
Apr 4, 1977
3 films with Ulay and Marina Abramoviç
- Breathing Out, Breathing In 1977 (Stedelijk Museum)
- Light/Dark 1978 (Stedelijk Museum)
- AAA-AAA 1978 (Stedelijk Museum)
Jun 5, 1976
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